Parnassus Arts Productions is delighted to introduce the outstanding Austrian soprano Johanna Rosa Falkinger, whom we represent exclusively for opera productions.
With her bright, agile voice and captivating stage presence, Johanna has established herself as a highly promising interpreter of Baroque and early music, she brings particular expertise to the Italian Seicento, from Monteverdi to Cavalli and Stradella, while her repertoire extends naturally to Händel, Mozart and beyond. Her recent engagements include Theater an der Wien, the Salzburg Festival, Oper Wuppertal, the Händel-Festspiele Halle, styriarte Graz and the Bayreuth Baroque Opera Festival.
Selected opera highlights
• La Calisto (title role, cover) – Theater an der Wien, 2026
• Almirena (Rinaldo) – Händelfestival Halle, 2026
• La Ninfa (L’Orfeo) – Mozartwoche Salzburg, 2025
• Clizia (Teseo) – Händelfestival Halle + National Music Forum Wroclaw, 2024
• Clorinda (Combattimenti) – Theater an der Wien, 2024
• La Musica/Euridice (L’Orfeo) – Styriarte Graz, 2024
• Drusilla (L’incoronazione di Poppea) – Oper Wuppertal, 2023
• Almirena (Griselda by Bononcini) – Bayreuth Baroque + National Music Forum Wroclaw, 2022
Upcoming: In February and March 2027, Johanna will sing Clotilde in Händel’s Faramondo at the Internationale Händel-Festspiele Karlsruhe, returning for the revival in 2028. Her repertoire also includes leading roles in works by Händel, Monteverdi, Purcell and Mozart.
Johanna has collaborated with renowned artists and ensembles such as Jordi Savall, Christina Pluhar, Dorothee Oberlinger and the Concentus Musicus Wien. She is a prizewinner of several international competitions, including First Prize at the Aria Borealis International Singing Competition.
Further repertoire
Beyond these roles, Johanna has prepared
• Valletto and Poppea in Monteverdi’s L’incoronazione di Poppea,
• Euridice in Monteverdi’s L’Orfeo
• Fiorino in Stradella’s Moro per amore, and
• Belinda, the First Witch and the Second Woman in Purcell’s Dido and Aeneas.
Her Händel repertoire includes
• Morgana in Alcina and
• Galatea in Acis and Galatea.
In Mozart she has prepared
• Susanna, Cherubino and Barbarina in Le nozze di Figaro,
• Zerlina in Don Giovanni, and
• Servilia and Annio in La clemenza di Tito.
For availability, recordings or further information, please feel free to contact me directly at balazs@parnassus.at.
