On June 13 and 15, 2025, Sophie Junker and Christopher Lowrey will appear as soloists in a series of Bach Cantatas performances with Cappella Mediterranea, conducted by Leonardo García Alarcón.Read More
Bruno de Sá performs Mille Affetti alongside Wrocław Baroque Orchestra under the baton of Jaroslaw Thiel in Margravial Opera House in Bayreuth, Ehrbar Saal in Vienna on June 1, Ruiny Teatru Victoria in Gliwice on June 3.
Bruno continues the tour with Varsovia Sinfonia conducted by Jaroslaw Thiel at the Muzeum Historii Polski in Warsaw on June 6.
We are very much looking forward to working with the Hungarian tenor Gyula Rab and are pleased to take over his exclusive management.
The Hungarian tenor Gyula Rab is a member of the ensemble at the Staatstheater am Gärtnerplatz in Munich, Germany, for the 2024/25 and 2025/26 seasons. His roles include Tamino in The Magic Flute, Ferrando in Così fan tutte, Don Ottavio in Don Giovanni by Mozart, Prince Ramiro in La Cenerentola and Count Almaviva in Il Barbiere di Siviglia by Rossini, Elvino in La Sonnambula by Bellini, Ernesto in Don Pasquale and Beppe in Rita by Donizetti, Oronte in Alcinaand Tempo in Il Trionfo del Tempo e del Disinganno by Händel, Tom Rakewell in The Rake’s Progress by Stravinsky, Rosillon in The Merry Widow by Lehár, Gonzalve in L’Heure Espagnole by Ravel and Fenton in The Merry Wives of Windsor by Nicolai.Read More
The Bayreuth Baroque new production Flavio, Re de’ Langobardi by G.F. Handel from 2023, directed by Max Emanuel Cencic, has been taken over by the Latvijas Nacionālā Opera un Balets in Riga. The premiere will take place on May 21, 2025, in Riga, with further performances on May 23, June 1, and December 17, 19, and 21, 2025. As in Bayreuth, the role of Flavio will be performed by Rémy Brès-Feuillet (who will return to Bayreuth for his solo concert on September 6, 2025). The role of Guido will be sung by the artistic director of the Bayreuth Baroque Opera Festival, Max Emanuel Cencic.Read More
We are very excited to announce our collaboration with Israeli mezzo-soprano Anna Tetruashvili, and are pleased to take over her artist management.
On May 4, 2025, Anna Tetruashvili won first prize for female voices at the Tereza Berganza Competition, part of Cascais Opera. Parnassus Arts Productions warmly congratulates her on this achievement.
Anna is a rising lyric mezzo-soprano and currently a member of the Opera Studio of the Gärtnerplatztheater in Munich. She made her debut at the Salzburg Whitsun Festival in May 2024 in the role of Annio in La Clemenza di Tito, conducted by Gianluca Capuano and staged by Robert Carsen. Performing alongside Cecilia Bartoli, Daniel Behle, Mélissa Petit, and Ildebrando D’Arcangelo, she was named one of the “5 outstanding emerging artists” of the prestigious festival by The New York Times in August 2024:
“…Tetruashvili […] transitioned convincingly from one emotion to the next, with a consistently beautiful tone that was at times surprisingly powerful…” She reprised the role of Annio at the Salzburg Festival in summer 2024.Read More
In May and June 2025, Max Emanuel Cencic will perform three major opera roles and give two concerts with different programs for his audience.
Today, on May 13, 2025, Max Emanuel Cencic will take the stage at the MusikTheater an der Wien as Gualtiero in the rarely performed Bononcini opera Griselda. Max “unearthed” this opera, which will be conducted by Benjamin Bayl leading the Wroclaw Baroque Orchestra. The artist already performed the role of Gualtiero in 2022 in Wrocław and Bayreuth. The Bayreuth performance was recorded and can be viewed here.
Sophie Junker will sing her first Poppea in Monteverdi’s L’Incoronazione di Poppea on May 5 at the Philharmonie in Cologne and on May 7 at La Cité Bleue in Geneva, with Cappella Mediterranea under Leonardo García Alarcón.Read More
We are very pleased to take over management for the German conductor Gerd Amelung. The highly talented conductor, who also works as a festival director, will be part of several outstanding productions and festivals in 2025.
Gerd Amelung’s work focuses on secular vocal music between 1600 and 1800, particularly with “modern” orchestras and vocal ensembles. His repertoire ranges from the early beginnings of opera to the works of early Mozart, Gluck, Haydn, Hasse, and Salieri.Read More
