Porpora

Porpora

Max Emanuel Cencic and Armonia Atenea | George Petrou

PARIS | CLERMONT-FERRAND | MOSCOW | HALLE | TOULOUSE | MADRID | KARLSRUHE
Gismondo Re di Polonia

Gismondo Re di Polonia

L. Vinci

VIENNA
Germanico in Germania

Germanico in Germania

N. A. Porpora

KRAKOW | VIENNA | MOSCOW
Ottone

Ottone

G. F. Handel

BEAUNE | VIENNA
Sacred Music for the Royal Chapel of Dresden (Zelenka)

Sacred Music for the Royal Chapel of Dresden (Zelenka)

Max Emanuel Cencic and Dimitris Karakantas | Orchester 1756

FROVILLE | UZES | VIENNA | LYON | LAUSANNE
Seven Deadly Sins

Seven Deadly Sins

Juan Sancho and Jan Tomasz Adamus | Capella Cracoviensis

HALLE | SEVILLA | KRAKOW
Siroe

Siroe

J. A. Hasse

ATHENS | VERSAILLES | BUDAPEST | VIENNA | AMSTERDAM | MOSCOW | KRAKOW | LAUSANNE | WIESBADEN | BAYREUTH
Arminio

Arminio

G. F. Handel

KARLSRUHE | VIENNA | KRAKOW | BUCHAREST
Arie Napoletane

Arie Napoletane

Max Emanuel Cencic and Il Pomo d'oro | Maxim Emelyanychev

VENICE | TOUGALOO | NEW ORLEANS | NEW YORK | MUNICH | PARIS | LYON | BERN | SEVILLA | ROUEN | FROVILLE | MOSCOW | SPOLETO | LONDON | MARSEILLE
Publio Cornelio Scipione

Publio Cornelio Scipione

G. F. Händel

HALLE | VIENNA
Giulietta e Romeo

Giulietta e Romeo

N. A. Zingarelli

SALZBURG | VIENNA
La descente d'Orphée aux enfers + Les Arts Florissants

La descente d'Orphée aux enfers + Les Arts Florissants

M.-A. Charpentier

KRAKOW | POISSY
Il Trionfo del Tempo e del Disinganno

Il Trionfo del Tempo e del Disinganno

G. F. Handel

Gluck Opera Arias

Gluck Opera Arias

Daniel Behle and Armonia Atenea | George Petrou

LONDON | ANSBACH
parnassus.at  > NEWS

NEWS

Parnassus welcomes Baritone Tomas Kral

06.06.2018

We are thrilled to announce that Czech baritone Tomas Kral recently joined Parnassus’ roster for worldwide management.
 
Tomas collaborates regularly with ensembles such as Collegium 1704, Wroclaw Baroque Orchestra, Collegium Vocale Gent, Vox Luminis, Holland Baroque, and B’Rock Orchestra. On the concert platform, he recently sang Bach's Weihnachtsoratorium at the Musikverein in Vienna, Monteverdi’s Vespro della Beata Vergine under Stephan MacLeod, Bach’s Magnificat under Benjamin Bayl, Vivaldi’s L’Olimpiade (Clistene) under Rinaldo Alessandrini, and Telemann’s Der Tag des Gerichts with under Peter Van Heyghen. He also started collaboration with Raphaël Pichon, and his Ensemble Pygmalion, with different programmes focussing on Bach’s cantatas as well as his Johannes Passion (Jesus).
 
In recent years, Tomas Kral also devotes himself to opera, having appeared as Ottokar in Weber's Freischütz (Styriarte Festival in Graz), the main role in Telemann's adaptation of Handel's Riccardo Primo (Gießen), Apollo in Monteverdi’s Orfeo (Opéra de Dijon), and Polyphemus in Handel’s Acis and Galatea (Halle Handel Festspiele). He also took part in Pierre Audi’s highly acclaimed production of Bach’s Johannes Passion under Andreas Spering (Brussels, Wroclaw, Amsterdam, Rouen).
 
In the coming months, Tomas will pursue his collaboration with many Baroque ensemble including Collegium 1704, Collegium Marianum, Wroclaw Baroque Orchestra and Les Muffatti. He will also make his debut with the roles of Starek in Janacek’s Jenufa (Opéra de Dijon, Théâtre de Caen) and Tirenio in Handel’s Il Pastor Fido (Halle Handel Festspiele).
 
Welcome to you, Tomas!